WHY NOT (?) / ZAŠTO NE (?)
Ivana Kalc & Igor Koruga
Performance: Ivana Kalc, Igor Koruga
Music: Luka Major
Design: Andrea Žic Paskuči
Photography: Karlo Čargonja
Production: Kabinet
Co-production: Stanica Servis za savremeni ples, Hrvatski kulturni dom na Sušaku, Rijeka;
Financial support: Republic of Croatia Ministry of culture and media; City of Rijeka; Ministry of culture and information Republic of Serbia
The work is part of artistic research supported by DAS THIRD Research program - DAS Graduate school, Academy of theatre and dance at University of Arts Amsterdam
Thank you: Kamov residential program Rijeka
Music: Luka Major
Design: Andrea Žic Paskuči
Photography: Karlo Čargonja
Production: Kabinet
Co-production: Stanica Servis za savremeni ples, Hrvatski kulturni dom na Sušaku, Rijeka;
Financial support: Republic of Croatia Ministry of culture and media; City of Rijeka; Ministry of culture and information Republic of Serbia
The work is part of artistic research supported by DAS THIRD Research program - DAS Graduate school, Academy of theatre and dance at University of Arts Amsterdam
Thank you: Kamov residential program Rijeka
Why not (?) searches for the embodiment and definition of today's (hopeless, isolated, scared, over-identified) body of the individual and the affective space of care between (at least) two people/entities, as a practice that can be further developed with the collective (audience). In such a framework, the authors specifically investigate the technique of unison, i.e. "sameness" as a performing means of dance and as a cultural-artistic practice that carries with it an important historical framework of application: from the multi-purpose aesthetic-poetic application in artistic works of different epochs in the history of dance development (in the 20th century) to a targeted ideological and technological tool for shaping the social body of various social orders (communism, fascism, capitalism, etc.). The goal of researching unison in the choreographic sense is to study the space for creating glitches through which differences on the affective, cognitive, physical level and time will be articulated, in the physical sense, to articulate multiple identity transformations as spaces of different social and physical powers and abilities, and thus also as a basis for political, engaged and critical association and co-existence today.
VIDEO TEASER |
FULL LENGTH VIDEO |
srpski:
Zašto ne (?) traga za otelovljenjem i definisanjem današnjeg (beznadežnog, izolovanog, uplašenog, prekomerno-identifikovanog) tela pojedinca i afektivnim prostorom negovanja između (najmanje) dvoje, kao prakse koja se nadalje može razvijati sa kolektivom (publikom). U takvom okviru autori posebno istražuju tehniku unisonosti odnosno “istosti” kao izvođačkog sredstva plesa i kao kulturno-umetničke prakse koji sa sobom nosi važan istorijski okvir primene: od višenamenske estetsko-poetične primene u umetničkim radovima različitih epoha istorije razvoja plesa (u 20.v.) do ciljanog ideološkog i tehnološkog oruđa za oblikovanje društvenog tela različitih društvenih poredaka (komunizam, fašizam, kapitalizam itd). Cilj istraživanja unisonosti u koreografskom smislu jeste proučiti prostor za kreiranje kvarova (glitch) kroz koje će se artikulisati različitosti na afektivnom, kognitivnom, fizičkom nivou i time, u fizičkom smislu, artikulisati višebrojna identitetska presvlačenja kao prostori i kao osnova za političko, angažovano i kritičko udruživanje i suživot danas.
CREATIVE TEXT WHY NOT (?)by Ivana Kalc & Igor Koruga
|
THE INTERVIEW / INTERVJU "POLITIKA" engl/srpby Igor Koruga
THE REVIEW / IZVOD IZ KRITIKE croatian
by Ervin Pavleković, Novi List, Rijeka
»Zašto ne (?)« slojevita je, intrigantna i zanimljiva predstava koja na filozofskoj razini (suvremenosti) propituje identitetsku kategoriju i njezinu nestalnost, njegovu označiteljsku prirodu, također traga i za novim značenjima, otjelovljenjem i određenjem tijela pojedinca, kao i određenjem odnosa on-ona, odnosno odnosa između dvoje koji se stvara kongruencijom »1+1« i koji, iako se radi o istosti, počiva na različitosti, u fizičkom, afektivnom i kognitivnom. U predstavi »Zašto ne (?)« identitet i traženje tako (p)ostaju idejno žarište u artikulacijskome prostoru slobode.
|